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Affichage des articles dont le libellé est sp. Afficher tous les articles

Brookesia Studio (SP)

Brookesia Studio (SP)

First thing first, a very happy new year to you all dear readers. I have been quite busy but here we go again for a new year of interviews, beautiful prints and many surprises to come soon !! So, in order to begin the year with a little bit of sun, please welcome Brookesia Studio on the blog and Feliz ano nuevo to them ! :)





What are we listening to when we come to visit you?

At the moment we are listening to the new Hellshock 12” - Shadows of the afterworld


Can you tell us more about yourself, who are you, where are you from, what do you do?

Brookesia studio are us – Mariñe and Rubén, two lovers of music, graphic design and art  in general. We come together beginning 2012 in Bilbao to create this project for on the one hand graphic design of posters, album covers, flyers, etc.  and on the other hand in order to make as much as possible projects in screen printing, which is our other big love. Let it be posters, covers, shirts, whatever...

When did you start drawing?

From childhood on we started painting the walls of our parents homes... and until today we did not stop to create...

 
Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

Me, Mariñe, got licensed in Arts, but somehow both are autodidacts in some way, we were developping our own resources with influences of other artists from near as well as from artists of the other side of the world. Above all, we never stopped and are constituting step by step our own style, but in arts we think you never stop learning, experience and discover yourself.



Today are you living from your art, or do you do something else for a living ?

Actually, we are starting and have more depth than benefits.... but we are conscious about starts in the world of arts are generally quite hard... but we are up to fight and give everything to be able to live from what we like to do most.



Are you collaborating with magazines/fanzines, regularly?

In our short career we have ocasionally participated in some fanzine, magazins... sporadically.



Where does your influence come from?

Is there any artists/graphists you particularly like, what are your influences?

Ugh, we could not say precisely one... we love arts in general, and always have been infuenced by different artists, painters, illustrators, sculptors... from whatever epoch.... just to mention some: classic victorian age, engraving, movements of the beginning and middle of the century (futurism, dadaism, surrealism), steampunk and above all modern illustration, all these tendencies have left their marks.




What are the principal steps in your work ?

Eg, when we have an assignment, we join and bring together all our ideas and having in mind different points of view we decide... However, we think it very important that our works is getting along with the style of the band. Therefore, the first thing is to know the essence and esthetics of each band, afterwards we start working on each design and printing.



Do you do everything by hand or on computer?

For us, both tools are equally necessary.


How long does it take you to do a poster?

Well, it depends on many things, the complexity of the design and of our state of mind, hahaha



You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?

To be true it is always better and more satisfying to create how it comes from you inside and to hold on to your style and esthetics you like and which are motivating you... but we are open-minded to whatever people might ask for, but obviously within our ethics.


 



For which band have you already worked for?

We have worked for many bands which came touring here from Europe and other parts of the world. Eg. Baroness, Neila, Destierro, Antisect, Poisson Idea, Future Ruins, etc...


For which band would you love to work?

Hhmm, many bands, especially wolves in the throne rooms, amebix, neurosis....


Do you choose the artists yourself?

No, or sometimes yes, depends on the circumstancies, normally we work on orders.


What is the most difficult part in designing a poster ?

To have a clear idea and to realize it, say to picture what you have in mind in a piece of paper, as well as developping the structure and composition of the design once you got that, everything goes on...



Do you think you are part of a "Graphic Scene", if so who else ?

We are part of this collective of music posters in Spain: (http://www.thepostercollective.org/)


A bit of self-promotion, take advantage of it, it's free, where can we see your work , on the web or in real life?

We have a Brookesia Studio facebook account and a webpage is under construction.


The best praise you received lately?

The best compensation is that people value and appreciate your work.

What can we wish you for the future?

Go on with Brookesia Studio and continue learning.

Leviathan (SP)






Leviathan (SP)

It's been a while since we last received someone from Spain on the blog, and this is unfair as the spanish poster scene (carteles de rock) should really deserve a close look. When you will know that Leviathan work has been showed in ”Art of Modern Rock – The poster explosion” (Paul Grushkin y Dennis King) or ”Kustom Graphics II: Hot Rods, Burlesque and Rock ‘n’ Roll” (2010), among man y others, you will probably realize why I am today so proud to welcome him on the blog ! Multissimas gracias a Leviathan, un artisto de puta madre !!! (hope my spanish is still more or less OK ;)



Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?

Singles of Fox and The Law, Jake Starr and the Delicious Fullness, The Paybacks from Detroit and the soundtrack of “Legend of 1900” by Ennio Morricone.

Can you tell us more about yourself, who are you, where are you from, what do you do?

I’m known as Manel Leviathan, I live near Valencia in a small village by the Mediterranean Sea. I have an atelier and studio place where I do drawing and design, some advertisement work and silkscreen for my clothing brand Leviathan©. I have been around 18 years working and especially on the Rock scene for different festivals and bands. 


When did you start drawing?

I think I had always drawn since I remember… I grown up in a family related to arts and creativity. My parents are painters; pencils and brushes stud at the same table where we eat. I was surrounded by this ambience so it was significant. When I was a kid I learnt from everything I saw at home, I read comics like Creepy, Cimoc, Vibora, Torpedo, Tales from the Cript… and I stole Star and Playboy from my dad. I draw everything that I found and I really liked it.
One day was crucial when I saw Elvis for the very first time on tv. I asked If we have records at home and I started to listening lot of music that I found that is sounded like Rock n';Roll: Creedence, Hendrix, Beatles, Stones, Jerry Lee… Also I toke my dad’s guitar dancing around the house and I made myself a hairstyle copying Eddie Cochran, hahaha, very funny, it was such a discovery! So as a kid I started making versions and covers for different records, something cracked on my head and I am still like that.

Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

I think it was crucial starting to work at my dad’s design studio when I was young. We did lots of lettering and sign writing. At that time the work was done old school way all by hand. That’s how I learned drawing. Some time after computers appeared and started using vectors. After six years I gained my own clients so I established myself as a freelance designer (no one can stand working with his dad for so long).  It was hard being on my own by I pursuit my goal: working on the music and Rock&Roll scene, making posters, record covers, t-shirts, band logos…


Today are you living from your art, or do you do something else for a living ?

I’m so lucky because I can live exclusively from my art.


Are you collaborating with magazines/fanzines, regularly?

Yes, I'm working with Ruta 66, Rolling Stone and other book editors.

Where does your influence come from? Is there any artists/graphists you particularly like,
what are your influences?

I like C. Burns, F.Kozik, J. Hewlett, J. Alderete, Guido, F. Frazzetta, Crepax, Coop… but there are many others and of course I’m also interested in lots of classic painters!


What are the principal steps in your work ?

I try to set up a maximum time to finish a work where I don’t stay too long drawing, avoiding over elaborating the design, so the result is still fresh and not too ornate. To find that balance is difficult for me.
Besides, some works came so fast and clear to my head that I just have to translate it to my hand. Sometimes instead I have to think many days until I get some idea that I like.


Do you do everything by hand or on computer?

I do both. I draw rough drafts on paper, then I use the scanner and bring it to my computer to finish it or I do directly computer work to vectorize…


How long does it take you to do a poster?

I could take one day or few weeks… it depends on many things. Usually I finish faster if I have total freedom on the work.


You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?

Horses could be bleeding with skulls and thunders? Hahahaha. No, seriously, I design many things that are not exactly on my taste and I don’t think it should be a problem. It is true that mostly people demand my art because they like a concrete style but I also adapt it depending on the work.


Which band have you already worked for?

Whoa, there are about two hundred! Some of them are: Little Richard, Stray Cats, Misfits, The Sonics, Reverend Horton Heat, Zen Guerrilla, Willy DeVille, Buddy Guy, Andre Williams, Dickey Betts, The Lords of the New Church, The Dictators, The Fuzztones, Iggy and the Stooges, Royal Crown Revue, Electric Frankenstein, Dick Dale, Héroes del Silencio, Raimundo Amador...

Which band would you love to work for?

Danzig, Black Sabbath, Queens of the Stone Age, The Cult, Led Zeppelin, The Smiths, Rob Zombie, Metallica, Rolling Stones...

Do you choose the artists yourself?
No, usually the band or the managers choose me.

What is the most difficult part in designing a poster?
The creative part is definitively the most difficult. To choose an idea to be successful.


Do you think you are part of a "Graphic Scene", if so who else ?
I don’t know. I just do my work that I like.

A bit of self-promotion, take advantage of it, it's free, where can we see your work, on the web or in real life?
You can visit my web www.leviathan.es. Individually you can buy my t-shirts and posters trough the online shop http://shop.leviathan13.com and I also do wholesales for stores and distributors.

The best praise you received lately?
Gerry Roslie from The Sonics came to me personally to congratulate me for the tour poster design.

What can we wish you for the future?
Work, work, work!

Thanks for answering my questions and see you soon on the website !!

Jorge Alderete (MX) en espanol !!!!

Jorge Alderete (MX) en espanol !!!!

(You do not speak spanish ? so wait a little bit, it takes some time to translate but I will definitly do it).Por la primera vez en la historia del blog, este entrevista sera en espanol. Porque ? solamente porque el Fr Alderete contestame en espanol y que, mismo si voy a traducirla en ingles, quisiera ponerla online muy rapidamente. Por eso, por los que no hablan espanol (pero porque leer eso ?) espera un poquito y la version en ingles sera online. Por los otros aqui esta el increible, el fantastico, el unico....  Dr Alderete !!!!

 

Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you ?
 
Ahora mismo? Scandall in a Brixton Market de Laurel Aitken

Can you tell us more about yourself, who are you, where are you from, what do you do?
Estudie Diseño en Argentina, hace casi 15 años vivo en Mexico.
Soy co-fundador junto a Juan Moragues del sello discográfico Isotonic Records, especializado en rock instrumental.
He diseñado alrededor de 80 artes para discos de grupos procedentes de Argentina, España, Finlandia, USA, Peru, Italia, Francia, entre otros.
En 2008 publique el libro Yo Soy un Don Nadie con la editorial francesa Black Cat Bones para celebrar mis primeros 10 años en la ciudad de Mexico.
Hace casi 3 años abrimos junto a Clarisa Moura, la galeria Vértigo, que poco a poco va trasformandose en un centro cultural independiente con exhibiciones enfocadas en el diseño y la ilustracion, pero tambien con talleres, cursos, proyecciones de cine y video, libreria y tienda de discos, donde ademas se presentan bandas de la escena independiente local e internacional.
Desde 2010 soy editor general para la editorial inglesa Korero Books, donde ha publicando The Day of The Dead en 2010 y Mexican Graphics.
Hace algo asi como un año estoy tocando con Sonido Gallo Negro http://vimeo.com/34962025

When did you start drawing?
No podria presisar una fecha porque es algo que siempre estuvo conmigo. Dibujo desde que me acuerdo.
Did you follow any course or did you improve by drawing in the margins of your schoolbooks?
Realmente, cuando empece ni siquiera tenia libros para dibujar al margen. Cuando fui creciendo, por supuesto pase por los mnargenes de los libros, y tambien intente tomar clases de dibujo, cosa que nunca funciono, rapidamente me aburria y abandonaba cuando trataban de sistematizar algo que para mi era divertido, intuitivo, libre.

Today are you living from your art, or do you do something else for a living ?
Si, hoy y hace varios años me dedico exclusivamente a mi trabajo grafico.

Are you collaborating with magazines/fanzines, regularly?
Siempre trato de mantener ese contacto con fanzines y revistas, cuando no estoy publicandolas yo mismo. Me ayuda a mantener un equilibrio en mi trabajo, si solo es comercial, siento que perderia la parte experimental, la parte ludica. Finalmente lo que siempre me ha sucecido es que me llaman para trabajos comerciales despues de haber visto mi trabajo mas personal que generalemte sale a la luz en publicaciones no comerciales o directamente en trabajos personales.

Where does your influence come from? Is there any artists/graphists you particularly like, what are your influences?
Muchas de mi influencias vienen del comic, que fue de alguna manera mi "escuela", Charles Burns, Gary Panter, Guido Crepax, Serge Clerc, Daniel Torres, Basil Wolverton por mencionar unos muy pocos. La obra del mexicano Miguel Covarrubias es de gran influencia.
Tambien muchas influencias vienen de la música, del cine, de la calle, del pintor anónimo que hizo el cartel para un puesto de comidas, del cartel anunciando el match de lucha libre del domingo, de la gente misma y de sus historias...

What are the principal steps in your work ?

Siempre empiezan en papel y lapiz, a veces en una libreta directamente con tinta... luego escaneo, a veces vuelvo a trazar todo el dibujo en vectores, por lo general uso coreldraw, y ya de ahi al photoshop donde doy el color y retoque finales. Ese es en termino generales el proceso basico.

Do you do everything by hand or on computer?

Como decia antes, siempre es una combinacion de dibujo analogo y acabados en computadora

How long does it take you to do a poster?
Depende, puede tomarme una semana, o a veces si conozco a la banda puedo resolverlo de un dia para otro.

You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?
Siempre estoy abierto a nuevos desafios, pero en un punto deben ser desafios que me interesen de alguna manera, de esta forma me puedo “apropiar” del trabajo, hacerlo lo mio. Asi ya pasa a ser algo que me gusta. Necesito creer en el trabajo que estoy haciendo.

For which band have you already worked for?
Muchas bandas, sobretodo del underground de Mexico  como Lost Acapulco, Twin Tones, Sonido Gallo Negro, Los Explosivos.
He trabajado varias veces con The Mutants de Finlandia, Los Straitjeckets de USA, Los Fabulosos Cadillacs una de las bandas mas grandes de Argentina, con la leyenda del garage sudamericano: Los Saicos de Peru... y solo por mencionar algunas...

For which band would you love to work?
En mayor o menor medida he tenido la suerte de trabajar con bandas que me gustan, y sobretodo bandas que respetan el trabajo grafico, y me permiten trabajar de una manera muy libre.

Do you choose the artists yourself?
Mayormente

What is the most difficult part in designing a poster ?
Por lo general, el diseño de posters es un trabajo muy libre, y creo ese puede ser un problema, cuado tenemos toda la libertad de hacer nuestro trabajo, a la hora de enfrentarte a uno en particular se abre un mundo de posibilidades...

A bit of self-promotion, take advantage of it, it's free, where can we see your work , on the web or in real life?
Mi pagina web es un sitio en construccion de hace años, espero este año poder mostrar la nueva pagina en la que ya estoy trabajando. www.jorgealderete.com . Otra parte de mi trabajo la pueden ver a travez la galeria que tengo en Mexico: Vertigo www.vertigogaleria.com
Fisicamente estan por salir publicados dos libros sobre mi trabajo, uno que recopila todo mi trabajo relacionado con el rock, que se llamara Sonorama, estara disponible en Noviembre este año a travez de la editorial Caja de Cerillos www.lacajadecerillosediciones.com
Y otro que reune el trabajo de mis libretas de apuntes se llamara Otro Yo y saldra publicado a traves de Ediciones Acapulco http://edicionesacapulco.mx/otro-yo 

The best praise you received lately?
La confirmacion de una exposicion en la Isla de Pascua!

What can we wish you for the future?
Larga vida y miles de dibujos

Diego Mena (UK/SP)

Diego Mena (UK/SP)

Thanx to Diego, I can make 2 things in the same time: having the list of spanish artists interviewed growing, and, in the meantime, having the UK one growing also. How can I explain such a miracle ? Just because, together with his own talent talent, Diego's art is fed with both cultures. He is maybe THE living evidence that Rock Posters is no frontier story.



Hello, of course as every Crewk interview, first question: what are we
listening to when we come to visit you?


I've listening a lot to Crazy Spirit, an amazing punk band from Brooklyn, and a few of the amazing Mississippi Records compilations.


Can you tell us more about yourself, who are you, where are you from,
what do you do?
I'm from Madrid, Spain, but I've been living in London for the last 10 years. I am a freelance screen printer, designer, poster artist, illustrator, etc.
I worked in the music industry for years so a lot of my work is music related. The rest is mainly cycling stuff.


When did you start drawing?
Same everyone else I guess, as a kid, but my 'artistic' instinct didn't really develop until I was in my early 20's, and traditional drawing has never really been a technique I use so much.


Did you follow any course or did you improve by drawing in the margins
of your schoolbooks?
I did do a BA in Graphic Design/Illustration. I needed that to get confidence.

Today are you living from your art, or do you do something else for a living ?
I don't have a day job, but I do freelance design/illustration and I screen print for other people. For me this is all part of my 'art' so, although I'm poor, I can't complain ;)


Are you collaborating with magazines/fanzines, regularly?
Not really. I find london is a funny place for collaborations. As a teenager in Spain I used to do a zine and collaborated in others.


Where does your influence come from? Is there any artists/graphists
you particularly like, what are your influences?
Too many to mention but I also find inspiration in films and music and literature. I find they are better formats for ideas, whereas visual art is more about influence in form, at least for me.

What are the principal steps in your work ?
Every poster I do works differently. Sometimes I come up with something straight away and sometimes I spend days lost in shitty ideas. It's becoming easier as I refine my style more.


Do you do everything by hand or on computer?
It's a mix. It all starts by hand and is refined on the computer, which I find really helpful for colours. I admire the how people like Jay Ryan or Justin Santora do everything by hand
but I also get a lot out of using the computer, especially in the final steps of the process.


How long does it take you to do a poster?
One day,one month weeks, it all depends. I'd say a week to two weeks from first ideas and sketches to finished prints.


You have a very distinctive style, are you doing only what you feel
like or if tomorrow somebody asks you an oil painting with horses
running out of water with a sunset backdrop, is it a problem or are
you up for it ?
I think I would find it hard to work in a style alien to me. Not so much of a problem in Graphic Design but I think people always approach you because they like your style, so it's an unlikely event.


For which band have you already worked for?
Some of my favourites are Lightning Bolt, Old Time Relijun, Oxes, Group Doueh, Omar Souleyman, Roscoe Mitchell. I'm really lucky as all the bands I've worked with are bands I love.


For which band would you love to work?
Fugazi if they still played. Or if I could go back to the 90's: June of 44, Hoover, the Make Up, the Monorchid...


Do you choose the artists yourself?
Sometimes. I have a working relationship with a few promoters so if I see they are putting on a band I love I'll ask them if I can do the poster.


What is the most difficult part in designing a poster ?
For me, getting to the point where it's good enough for the band I'm doing it for. If I really love a band it takes me a lot longer.

Do you think you are part of a "Graphic Scene", if so who else ?
I guess I'm part of both the British and Spanish gigposter scene.


A bit of self-promotion, take advantage of it, it's free, where can we
see your work , on the web or in real life?
didacus.co.uk
posterroast.com
thepostercollective.org

We're having a big gig poster exhibition in London in May (ukposterart.com/event/ink-paper/) and there's Screenadelica in Liverpool in May too (screenadelica.com) and hopefully I'll have some posters for sale at Flatstock in Barcelona.


The best praise you received lately?
My friend and fellow poster artist Luke Drozd told me he saw one of my posters on a wedding gift list. Loved that.


What can we wish you for the future?
Well I hope to do more and more posters and for this amazing art form to be recognised in its own right.

Merci et a bientôt!

Thanks for answering my questions and see you soon on the website !!

Münster Studio (SP)

Münster Studio (SP)

Hey chicos !!! Aqui esta la nueva entrevista de un artisto espanol. Well, in order for everybody to understand and discover the spanish side of poster art, let's switch to english, so, despite his name which could sound a little bit german, please welcome, from Spain, Daniel from Munster Studio !!!!

 

Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?

As I´m waiting for their new lp, I´m revisiting the last record of Cross Stitched Eyes. In the last days I´ve been pretty obsessed with Post regiment and the new album of La Habitación Roja.

Can you tell us more about yourself, who are you, where are you from, what do you do?

I´m a 30 years old human being from Zaragoza, Spain. I run my own little graphic design studio and I´m a vinyl record collector. Beside that I also play in little DIY bands and organize gigs. Many posters are done in collaboration with a friend of me, Patricia Pascual, who´s in some way part of the studio.

When did you start drawing?

As everybody when I was a child, my grandfather used to give us tons of pencils and brushes. Years after I start collecting comic books, so I drew all my favorite characters everyday.

Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

Basically the margins of schoolbooks were my teachers jajaja I did graphic design in the art school and some courses after that, but I still learning everyday.

Today are you living from your art, or do you do something else for a living ?

I´m full time in my studio. Of course I´m not rich but I live very happy doing something that I love.

Are you collaborating with magazines/fanzines, regularly?

Not regularly but I love to collaborate with fanzines, they are a really great source of inspiration and a direct communication media, from the producer directly to the receiver so you get a pure and direct message.

Where does your influence come from? Is there any artists/graphists you particularly like, what are your influences?

Influences came from everywhere, everything that rounds me. In art I love the classic avant-garde movements (dada, surrealism, futurism, etc.), Max Erns, Raoul Hausman, Rodchenko, Klutsis, Josep Renau, Polish posters, Saul Bass, etc. From nowadays I´m into the work of Isidro Ferrer, Alejandro Magallanes, Modern Dog,, Methane, Heads of the State, Aesthetic Apparatus, etc.  All this studios doing gig posters and illustration are a huge influence for me. In the other hand punk rock music, attitude and graphics are possibly the reason why I´m doing this, specifically CRASS and his graphic designer Gee Vaucher. I admire all her work and the way she communicates the message.

What are the principal steps in your work ?
First of all hearing the band. Bands music is the briefing for the work, which is great if you love music: getting payed for hearing music jajaja. This first steps are sketches on paper. Once we have the idea we work on it, prepare the layers for print and we screenprint the posters in our own workshop. We also like to work with local artists in collaborations, some kind of split posters. Mainly they do an illustration and we layout, do the final design and screenprint them.

Do you do everything by hand or on computer?

Depends of what I need, computer is just a tool, sometimes we need that "computer look", sometimes not. But we always use computer for layering and pre-press, easier and faster.

How long does it take you to do a poster?

It depends, we can be like 3 days thinking about the concept, the idea and then do the artwork very fast or have a good idea quickly and spend days doing it. But we have a media of 3-4 days per poster, more or less.

You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?

Design is solving communication problems so if some project needs a kind of oil painting we will have to do it, but the clients that ask us for something already know the way we work, so we figure they expect that from us.

For which band have you already worked for?

Many of the posters are done for bands that play in a local venue called Arrebato, but I´ve also worked directly with many bands like: La Habitación Roja, Litoral, Criatura, Obrint Pas, Picore, etc. All of them spanish bands.

For which band would you love to work?

I would love to do a poster for a reunion show of Post Regiment! Of course big bands that I like, such as Interpol, Wilko, Napalm Death, Wolves in the Throne Room, etc.

Do you choose the artists yourself?

No, I just do everything I´m asked for, which in my opinion is better as you have to deal with different styles so you cannot keep doing the same thing overtime.

What is the most difficult part in designing a poster?

The idea, the concept. Getting the band soul in a image.

Do you think you are part of a "Graphic Scene", if so who else?


At least in Spain, yes. Some of us (gig poster designers) we are working in The poster Collective (http://www.thepostercollective.org/) which is a project to promote gig poster artists and gig posters in Spain. This is helping to us to know each other and appreciate their work, beside collaborations and creating a communication channel for upcoming projects, support, etc.

A bit of self-promotion, take advantage of it, it's free, where can we see your work , on the web or in real life?


On the internet we have some sites:
http://www.munsterstudio.com/
Our blog, where we post pics of our printed posters, talk about the stuff we use, etc.
http://munsterestudio.blogspot.com/
And a facebook page!
http://www.facebook.com/pages/M%C3%BCnster-Studio/179439282081037

In real life many of our posters can be seen on walls, bars and clubs of our city. We also sell our screenprinted posters in a shop called Simbiosis, here in Zaragoza.
http://www.facebook.com/pages/Simbiosis-Shop/219905071403964

The best praise you received lately?

Everytime a band tells me: "do what you want" jaja

What can we wish you for the future?


To keep on going with Münster Studio and keep learning everyday.

Thanks for answering my questions and see you soon on the website !!

3501 (SP)

3501 (SP)

Even if many of us think so, this interview is the definitive evidence that spanishs and germans are not that differents...at least wheb it comes to way of working on a rock poster. Check Lulu Artwork answer on the way she is working and, 3501 one and you will see those 2 cultures are finally quite close. This said, you, promoters, will be glad to learn that some designers have skills enough to work for Slayer as well as for Justin Bieber. This, and many other interesting things are develloped below… Viva espana !!!!


Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?


- Dudley Perkins and at the same time Mynationshit, because he have the studio next to my room.

Can you tell us more about yourself, who are you, where are you from, what do you do?

- My name is 3501. I grew up in Almería and Madrid. I'm a self-taught illustrator who spends most of my time drawing, riding my bike and raising pigeons, all at the same time.

When did you start drawing?

- When I was 3 years old my father gave me a pencil and paper and said to me "Sit there, and don't move",

I’m still drawing.

Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

- All my schoolbooks were filled with drawings, the usual stuff: dicks with wings, band logos, teachers licking things, etc.

Today are you living from your art, or do you do something else for a living?

- I survive mainly by selling paintings, some months I have to bullfight for money, usually on Thursdays.

Are you collaborating with magazines/fanzines, regularly?

- El Temerario, probably the best zine in Spain.

Where does your influence come from? Are there any artists/graphists you particularly like, what are your influences?

- I have the regular influences of my generation, tons of cartoons, comics, movies, skate, etc

but I particularly I like Notorious Big, Buckethead and Moondog.

What are the principal steps in your work?

- Step 1: Buy champagne and oysters

Step 2: Get naked

Step 3: Start drawing.

Do you do everything by hand or on computer?

- 99% by hand, 1% foot, I sometimes add some color with my computer.

How long does it take you to do a poster?

- It depends on the cups of coffee.

You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it?

- I'm confused, where did you see that one?

For which bands have you already worked for?

- Can´t remember...but you can check it up here http://www.flickr.com/3501/

For which band would you love to work?

- Slayer, Justin Bieber, Ricky Martin, Burt Bacharach...

Do you choose the artists yourself?

- Always, there's a huge line of people outside my house waiting.

What is the most difficult part in designing a poster?

- When the band have a long stupid name sometimes it's hard to make the composition.

Do you think you are part of a "Graphic Scene", if so who else?

- I'm part of a small gang, we're just us 2, the great Luis Demano and me, we have oversized pencils like baseball bats to beat the shit out of people. Sometimes Jessica Boston joins us, she is so violent...

A bit of self-promotion, take advantage of it, it's free, where can we see your work, on the web or in real life?

- I update regularly http://www.blablabla3501.com/ or you can follow my daily diet here https://www.facebook.com/3501artwork.

And in real life in many teenager's rooms around the world.

The best praise you received lately?

- In Barcelona somebody stole one of my drawings in an exhibition

What can we wish you for the future?

- Food, and my girlfriend playing Guitar Hero by my side, that's all I need.

Can you tell us a little bit more about the spanish poster scene?

- I only have eyes for Mik Baro, Malakkai and MDonada. I don't pay much attention to the rest.

Last question > Do you know anything about French rock posters scene?

 I only know the amazing work of LL Cool JO.

Thanks for answering my questions and see you soon on the website !!

- Thank you for your interest.





*Pic by Zack Pianko