I contacted Shane because he "liked" my Biffle's interview I was advertising on FB. We then chatted a little bit and I discovered his incredible work. To my opinion, he is the natural child of the glorious 60s pionneers and not only because he mainly worked for the Dead's family but in the way he composes his posters, takes his inspiration for fonts, etc... He mixes all of that with today's technology. Ok for you purists, it is not just 3 or 4 colors limited silkscreens but, seriously, ain't Shane one pof the best to bring the 60's spirit into the new millenium ?
listening to when we
come to visit you?
I'm listening to and
watching The Last Waltz-Levon Helm and The Band.
2-Can you tell us more
about yourself, who are you, where are you from,
what do you do?
I was born and raised
in Maryland, in the DC/Baltimore area. Had a pretty wonderful childhood-grew up
loving dogs, comic books, fantasy, movies and , of course, music. Went to my
first arena rock show when I was 11-it was KISS in their prime-1978. My Dad
took me and my brother and all of our friends. He introduced me to a world of
music that years later I would realize influenced me deeply. Willie Nelson,
especially-but also the whole spectrum of country music-true country-old
school, Grand Ole Opry style. I also inherited some painting skills from him as
well
, as he is an
accomplished duck decoy carver and painter.
My mother, who recently passed, showed me the
other side...the rock n roll of the 50's and 60's-particulary The Beatles. She
also was my biggest fan-everything I ever drew or painted was a masterpiece to
her. And I loved to fall asleep in her room,when I was a kid- entranced by her
lava lamp.
I also have an amazing,
smart and savvy sister whom I love beyond words.
When I was 18, I started my own musical
journey, begun by my late brother, who was my first guitar hero. We had KISS,
Zepplin, Stones, Dylan and an unbelievable collection of posters and albums in
our room. Soon I was on my way to Pink Floyd, and then, on September 3rd, 1988,
I went to my first Grateful Dead show. And the ride is still going.
I migrated to California in the early 90's and
San Francisco is my hometown. My dog Samson keeps me smiling and my oldest
friend is out here as well.
Ive been mainly a working airbrush
artist-designing posters for festivals, shows and bands when I can-worked as
art director for Tower Records and airbrushed large scale album covers for
record stores until the digital age put a halt to that. I still airbrush on
canvas, leather jackets and skateboards. I also design and build large scale
parade floats, and work on backstage crews for major festivals decorating and
setting up ambiance and VIP areas. I've
also worked for Golds Gym in SF for 12 years-my day job/gig pays the rent and
keeps me in shape for free.
Very, very early,
according to my parents.
4-Did you follow any
course or did you improve by drawing in the margins
of your schoolbooks?
I took art class, of course-went to
gifted/talented summer school a couple of times-but yes, I most definitely
doodled and drew in all of my margins and bookcovers. And I filled pages of
sketch books in high school. Alas, I did not attend college or art school.
Pretty much self taught w a lot of practice, although I have worked with/for
many great artists and designers, from whom I learned many things.
5-Today are you living
from your art, or do you do something else for a living ?
No, I am currently holding
down two "day jobs". The gym and an urban farmspace, although I have,
in the past, fully supported myself as an airbrush artist.
Yeah, I post alot of
fan art and self promotional stuff on fan sites. And I enter alot of contests.
Just showing my stuff to whoever wants to check it out, if it's of that
fanbase. I'm a huge Tolkien fan, and have posted alot of pieces to Lord of The
Rings fansites and such.
7-Where does your
influence come from? Is there any artists/graphists
you particularly like,
what are your influences?
Pretty much from a combination of comic book
art and album cover art. Always loved airbrushed graphics and logos. The first
artist that truly "influenced" me was Stanley Mouse. When I was 11,
long before The Grateful Dead entered my world, before I had any idea who he
was, I was entranced by his album covers for Journey and Steve Miller. Also the
Roger Dean covers for Asia and Yes rocked my world as a kid. HEAVY METAL and Gerard
Scarfe's illustrations and animations for Pink Floyd and then, of course, I
discovered Stanley Mouse all over again when I tuned in to the art of the
Haight and the rock era, and the great Rick Griffin, Wes Wilson, and Peter Max.
My favorite artists whose work I admire and aspire to are Richard Biffle, Emek,
Chuck Sperry and Chris Shaw.
8-What are the
principal steps in your work ?
Well, I do alot of
conceptualizing in my head when I'm at my other job...I have somewhat of a
photographic memory. When I'm doing a poster I try to think, of course, of the
mood and style of the band. If it's Dead related, I already get that, so I just
kind of delve into the imagery in my head and sphere. I do alot of sketches
that I eventually turn into a poster. Lots of roughs, first drafts, etc. When
I'm doing a poster-I love to play around w. the fonts-I like the duty free ones
that look familier, but stylize and layer them until they look 3 dimensional,
then color w/ layer after layer in photoshop as if I was airbrushing w/ the
computer. I like to go in and get everything as balanced and
symetrical until I reach that point where I feel it's done. Then I
triple check for embarrassing spelling mistakes.
No, it's a mix. I do
the cleanest tightest line drawing I can the old fashioned way at my drawing
table, then scan it or photograph it, get it into the computer and go from
there. I enjoy transforming an old sketch or simple line drawing, or a photo,
into a graphic, electric image w/ glowing borders and airbrushed gradients.
I also do many, many
different versions w/ fonts, layouts, color schemes, etc. The best part of
making art digitally is that you can change things over and over again til you
hit on something that works, and then it all just flows from there. For me, anyway.
10-How long does it
take you to do a poster?
I like to have a least
a week, mainly to give myself enough time to get it right. Sometimes though I
will recycle a poster concept or image that may have been turned down by
someone into a new piece on the fly.
like or if tomorrow
somebody asks you an oil painting with horses
running out of water
with a sunset backdrop, is it a problem or are
you up for it ?
At this point, yes I am
. I'm doing the kind of images and posters that come to me, trying to make them
look as cool and as rad as possible to me. Colors pallettes, lettering styles,
and content are all my choices right now-although I would have no problem
taking art direction from a band. Tell me what you envision and I'll give you
my best concepts.
If someone asked me to paint them a canvas of
horse running out of the surf, and showed me a workable, acceptable amount of
money, I would clear my schedule and start on it tomorrow. I love to
paint/airbrush whatever someone wants-portraits, their favorite movie
characters or rock stars. Always ends up
a good portfolio piece for the website or Facebook.
And the occasional pet
portrait has paid my rent on more than one occasion.
I've did an official
shirt for the Grateful Dead in 1994, and the NYE mail order ticket for Furthur
last year. I've done work for many Bay Area band s such as Ghosts of
Electricty, Lonesome Locomotive , The Fall Risk, Cryptical and Dedicated
Maniacs. I've also been the poster artist and art director for the annual Jerry
Day concert and festival from 2009 til today.
13-For which band would
you love to work?
Furthur, Moonalice,
Dark Star Orchestra and Johhny Sketch and The Dirty Notes.
14-Do you choose the
artists yourself?
I choose the artists
that are taking submissions, or that I want to work for, and do samples and
send them around. I also have had bands approach me and that's always a
delight.
Making sure I keep it
looking like something I drew or airbrushed, and getting the balnce of image
and wording perfect in my eyes.
16-Do you think you are
part of a "Graphic Scene", if so who else ?
Yeah, I'm a San
Francisco poster artist, and am proud of being part of such a great tradition
w/ so many talented people doing amazing work. I'm hoping to continue to get
work and posters published and out there and join the ranks.
17-A bit of self-promotion,
take advantage of it, it's free, where can we
see your work , on the
web or in real life?
In the real world you
could see my work on my apartment walls, or all over the walls of my best
friend's home. You could also see my Haight Ashbury Street Fair posters and
sign painting in the shops and stores
on Haight St.
I have a website that
needs updating at
I have lots of my stuff
on Facebook as well, on my own page
and my studio page-SEG
Airbrush
and currently at
I would have to
definitely say being asked to do this interview! And having Biffle tell me my
Grateful Dead
poster was NICE.
poster was NICE.
19-What can we wish you
for the future?
Health, happiness, and
alot more published gig posters for bands big or small. Thank you so much.
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