Affichage des articles dont le libellé est it. Afficher tous les articles
Affichage des articles dont le libellé est it. Afficher tous les articles

Ver Eversum (It)

Ver Eversum (It)

According to FB Ver Eversum means Springtime, so you will understand easily this is the best time for us to interview them. "It is the fascination with nature, infinite source of inspiration, with its forms and its materials" which drive Ver Eversum creativity, it is kind of obvious when you look at their work, really unique, mixing XIXth century illustrations and 70s psychedelism. Will I thank IRPA enough for this discovery ? Well, I hope so...

Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?

Just now we’re listening to Weezer’s Pinkerton album.. kinda a big hit in the last month in our studio! Cool happy music to draw with! 

Can you tell us more about yourself, who are you, where are you from, what do you do?

First of all, we’re two people: Ver Eversum is the name of our project of illustration and poster art. We’re a fellow and a lady living near Rome – Italy, coming from different educational backgrounds, with strong passion for drawing, music and screenprint. We began making poster for friend’s band, then we discovered an amazing world of poster art, and decided to try to be a part of it.

When did you start drawing? Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

Definitely margins of schoolbooks, sketchpads, tons of paper that we never have courage to throw in thrash, causing us a major room problem! One of us made more art-focussed studies, not involving hand-drawing classes though. That passion grew with time and practice for both of us. 


Today are you living from your art, or do you do something else for a living ?

At present time, poster art is “the dark side” of our activity; we work as freelance for brand identity, visual communication and advertising companies. From this work as art directors and creatives we pay bills and rent, but we’re investing a lot on the poster side of our studio, and it’s such a pleasure seeing it growing from a small local reality to something bigger and concrete. It’s funny that customer on the “serious” side and from the “music” side often aren’t aware of the double face of our studio. One day we’ll pack-up all of our works, build a nice comprehensive website and make this two different souls converge!


Are you collaborating with magazines/fanzines, regularly?

Actually, work with press and expecially fanzines is one of our target for the next future. We never did that, maybe ‘cause we never contacted any! We were kinda shy, just lately we developed that little bit of self confidence due to little trust in our portfolio. We hope to expand on printed media soon. Book illustration will be, then, the next step.


Where does your influence come from? Is there any artists/graphists you particularly like, what are your influences?

There’s so much stuff constantly influencing us, starting from medieval illustration arriving to present day’s street artists and poster artists. Maybe the main source of ispiration comes from the early 1900s book illustration, black and white and full of details. Artists in that period were great to capture the exact mood of a novel or a fairytale in just one illustration, and that’s exactly what we aim to do with our posters.

What are the principal steps in your work ? Do you do everything by hand or on computer?
How long does it take you to do a poster?

We do 95% of all process, from idea to printed poster, by hand. It should be seen as an outdated way to work, but we believe that there is a strong difference, especially today, seeing a poster drawn by hand or digitally made. We believe that computer should be considered as a very useful tool, but should not override the artist who uses it. We respect and admire lots of people who creates amazing art on computer.. but it’s just a working way that doesn’t fits us. The principal steps in our work involve an embryonal idea, then research about the topic of the poster, read stuff and see images to refine the original idea and make it more meaningful. Then we make tons of sketches of every possible layout, lettering etc. When we’re happy enough (or tired enough) we draw the final version. Even if it seems an endless process, it takes us about 3-4 days to get the complete poster, depending on artwork’s complexity.


You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?

Be picky with commissions is something you can only do if you’re plenty of them! But this doesn’t mean you should work as a trained monkey doing everything the customer asks you, in the way he tells you. We’d like to think that if someone hires you on a project, do that ‘cause he apprecciate your particular way of working or style. So, considering that oil painting is not our first mastery, and we’re not really into this kind of images, we’d probably try to persuade the customer to make something more in line with our style!


For which band have you already worked for?

Until now, we mostly worked with bands and venues from Rome’s underground music scene, slowly expanding outside the border of our city to work with different venues and for several cultural associations and music festival. Just a few days ago we made our first poster for an international band.. Karma To Burn playing this month in Italy!

For which band would you love to work?

Probably every poster artist wish and aim to work with the bands he usually listen and love! Our list is quite long..  ‘cause we listen to lots of very different things. If we should pick up from italian current music scene, we’ll be glad to work with NoBraino and Zen Circus. Tool, Fleet Foxes, Black Mountain, Red Fang, Kyuss Lives, My Morning Jacket, Electric Wizard picking up from international band’s pool. Working for big festivals, doing poster series for band playing there, would be also totally cool. But  most of all, we’d love to continue to work with all the bands that supported us, believed in our project and with whom we’re walking a common path, such as Misty Morning and Godwatt Redemption.

Do you choose the artists yourself?

Until now we have been chosed by bands..and we have to say it’s such a cool way to work, because you discover a lot of interesting underground bands and lovely people. But we’re starting to submitting design proposal for big foreign bands. It would be cool, let’s cross our finger!

What is the most difficult part in designing a poster ?

Choosing the idea for the poster, what it should portray, has always been fast for us. Music and lyrics are very inspirational to generate images in our minds. Maybe the most difficult part is trying not to drown in the pool of alternatives, as color patterns, lettering and layout options. Sometimes it’s hard to stay focus on the original idea we choose, cause while you work this idea develops and you’ll never know where it carries you. While we work on a poster, we always try to create something worth to be framed and hung on a wall, in a reasonable time.

Do you think you are part of a "Graphic Scene", if so who else ?

Italy is actually growing the awareness to have a poster art scene, thank to the work of the amazing guys from ItalianRock Poster Art (www.italianposterrockart.com). One year ago we felt like hermits doing some kind of strange job. Today we’re glad to be a part of a big family, a little but constantly growing poster art movement, where you can admire other people’s work, talk to them, ask them for suggestions or giving suggestions to whoever asks you. Can’t wait for meet ‘em all in June, at Italian Poster Rock Art Expo 2012! We hope to initiate more people, collegues and poster fans to the magical mystery of handmade screenprinted posters.


A bit of self-promotion, take advantage of it, it's free, where can we see your work , on the web or in real life?

A complete website of our works will come soon!! meanwhile the best way to keep an eye on what we’re doing, and to sneak peek the backstage behind every poster, it’s our facebook page https://www.facebook.com/pages/Ver-Eversum-art-lab/106510422714915

The most complete gallery of our poster is on Italian Poster Rock Art:
you can check them out even on Gigposter.com:

The best praise you received lately?

We’re glad anytime someone appreciate what we’re doing.. lately someone we admire a lot told us (speaking about our work) “i wish i thought and made this..” . this is kinda the BEST praise!

What can we wish you for the future?

We always hope to make more poster, to keep working with cool bands and nice people, to live well, love much, laugh often!
We hope for us, and for the italian poster artist movement, to grow big and strong, to make people, bands and venues aware that there are really a lot of young, skillful clever folks you can work with! Yes, they’re right beside you!

Thanks for answering my questions and see you soon on the website !!

Thank you!! :)

Enrico Mazzone (It)

Enrico Mazzone (It)

Summertime has never been so close and, guess why, I thought it has been a while since I last introduced an artist from Italy to put a little bit of sunshine on the blog. Of course Drone, Sludge& Stoner rock are maybe not what you can call sunny music, but Enrico works is interesting enough to pass through this dilemna :) In order to feel like on holidays, just read the whole text "with the accent", close your eyes... your pastas are ready ;) Ciao bambinos !



Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?
 
After a daily shifting in a kitchen's doungeon in kreutzberg i m glad to come back in my place and let "In the Land of Grey &;v Pink " runs on my laptop. Caravan could always help you in those situations. Golf Girl right now

Can you tell us more about yourself, who are you, where are you from, what do you do?
 
More thana dude, there's a lover, for that reason i ve been moved in Berlin from Norway. My shape turns into Enrico every morning. I m from Torino, and to prolonging my stayment here I'm cooking.
When did you start drawing?
 
i ve been started to draw since I was in the junior high school.. 4/5 years old
Did you follow any course or did you improve by drawing in the margins of your schoolbooks?
 
I deserved to be in my hometown Academy of fine Arts, in Turin, cause following a dear friend of mine i ve did other school trainship.But once again my parents suggest to me to don t be a fagget painter, so I ve been carried on the teatrical shits.And for that reason indeed takenotes about Pasolini i already made sketches for They Might Be Giants.
(off course more positive and fresh for my state of mind.
Are you collaborating with magazines/fanzines, regularly?
 
Not regulary but it s still coming up a very nice year in which several issues are still checking out, so I almost prefer don t talk unofficially.
Where does your influence come from? Is there any artists/graphists you particularly like, what are your influences?
 
Influences are always brought and take by both of the brain sides, so maybe everything was sorrounded me .. not artists but real life .. filtered by my glasses.Whatever on that times Vanja was a great discover.

Do you do everything by hand or on computer?
 
freehand for the sketches( chocks) then a pattern of colour with gimp. fuck photoshop ( and mac as well!) I prefer to do the most with my own hands.

How long does it take you to do a poster?
 
As replied back previously I like get into the things, so My mood could suggest to me how to do.. always shy and inattentive i finally get the right feedbacks, almostly at the end of a process,.. off course music could help me (Us).
You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?
 
Ha! really funny question, cause actually I could do it for a owner's commission. Probably my Alibi (if not fittable for him-her) could be.. I m myop, so I eventually have my point of wiev in my own style. at least, both of them meanwhile
For which band have you already worked for?
 
Inferno XII, Svikt, few gigs ffor Karma to Burn and QOTSA ( firsy in Turin, 2nd in Stochkolm), Sunno)))
They Might Be Giants, again, and maybe stop to focusing to something more different then the inflacionated Drone, Sludge& Stoner rock. kula Shaker? Rentals? Elkstica.. oh they aren t already exist!
Do you choose the artists yourself?
 
Yes, it s quite difficult by now the contrary..

What is the most difficult part in designing a poster ?
 
I guess anything, just the will to get the ass out of the chair and checkin out.. but anything is so impossible, since frank Zappa sang aloud Joe's Garage.

Do you think you are part of a "Graphic Scene", if so who else  ?
I really would like, but I m not into. to preppy, fluffy, unreal.. better alone by Yourself


A bit of self-promotion, take advantage of it, it's free, where can we
see your work , on the web or in real life?

Real life is always better, even if we re already dreamers and utopystic. but, i don t yet have a website.. it could be better do as the scandinavians are able to do: want to meet me? yes, come to visit to my place and talk about it,.. I was guilty to booked a flight for 1 coffe to the Unit Delta Plus by Martin Kvamme. it was 2 winters before in Oslo.

The best praise you received lately?
 
Black Metal doesn t pay ( Martin Kvamme).. t was a funny sentence.. a bit of maphia dressed in black. the true was that, no money..he!

What can we wish you for the future?
To have a normal life taking advantage to my health. Stay definetly nice with Lisa, as it really seems ( hi sweetY)

Thanks for answering my questions and see you soon on the website !!
Thank You for gave the chance to express &shared our wishes, we're all in the same nice filed trap. Vive le rock!

Sabrina Gabrielli (It)

Sabrina Gabrielli (It)

At the time I am writing those lines, Sabrina's website is still more or less under construction, but should this be a reason why not interviewing her right now ? I discovered Sabrina's work thanx to Italian Poster Rock Art, and immediatly felt in love with her style, fresh and unique. A mix of child books illustration and music, poetry and dream. Well, once again, a proof that women in poster art definitly refresh this art.


Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?

At this moment Nick Cave and Blixa Bargeld.


Can you tell us more about yourself, who are you, where are you from, what do you do?

Sure!
I am from Rome, Italy. I work as a freelance product designer but right now I am more interested in illustration, art and music!

When did you start drawing?

At the age of two. My mom still keeps some of my early drawings...

Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

Well, I studied product and graphic design. During the university period, I attended a 3 year course of comics.

Today are you living from your art, or do you do something else for a living ?

I worked as a full time product designer and visualizer for 6 years untill december 2011. Now I’m trying to be more indipendent and to start my own studio. It will take some time...

Are you collaborating with magazines/fanzines, regularly?

Not so much. Maybe in the future...

Where does your influence come from? Is there any artists/graphists you particularly like, what are your influences?

My influences... I think I don’t have an artist that completely influenced me. Or... I have too many to put them on a list!
When I was a child my parents bought a huge collection of old fairy tales from all over the world. They were so weird and genuine with these little old illustrations...
Probably all my personal imaginary world comes from those pages.


What are the principal steps in your work ?

First of all I have to find a good and exciting idea. It’s the most important step: if I don’t really like what I’m drawing I soon get bored.
I put on my mp3 player the music of the artist I am working for and I walk, do some housework, go to gym... until I’m totally into the right mood.
Then I sketch and ink the drawings. I colour everything with the computer or by hands (It depends on how much time I have...)
My posters are all digital prints. Sometimes I also add details and colours directly on the prints. One by one.

Do you do everything by hand or on computer?

I wish I could do everything by hand! But it’s half and half.

How long does it take you to do a poster?

The whole process takes almost 4 days.

You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?

Errr... A horse? Wouldn’t be nicer a little duck on a white background?

For which band have you already worked for?

In the last six months I designed a poster for every artist who played for “UnpluggedInMonti” at the "Blackmarket", a concert venue in the heart of Rome. ( www.facebook.com/UnpluggedInMonti )
I can list some names: Darren Heyman (Hefner), Eva & Manu, The Bony King of Nowhere, Ballboy, Nordgarden, Norther Portrait, Cats on Fire....

For which band would you love to work?

Amanda Palmer! I love that woman!

Do you choose the artists yourself?

No, I usually do posters under commission. Or for my band!


What is the most difficult part in designing a poster ?

The IDEA! And the colour part. It takes ages to choose the right combination of colours...


Do you think you are part of a "Graphic Scene", if so who else ?

I am a fresh man into the poster art world... Is there any graphic scene who would like to adopt me? :) 

A bit of self-promotion, take advantage of it, it's free, where can we see your work , on the web or in real life?

Yeah! Let’s take full advantage of this opportunity.
Here is my page on About Me: www.about.me/sabrinagabrielli
My page on the IPRA (Italian poster Rock Art) website: http://www.italianposterrockart.com/autori/sabrina-gabrielli-10000087
Actually I do have a REAL website, but it’s still under construction... and I’m really slow in this kind of stuff. But probably next week it will be ready! www.mynameisbri.com
And last but not least my band website: www.formanta.it (I’m also a singer, by the way)

The best praise you received lately?

I want it! (an enthusiastic guy looking at one of my posters. He didn’t know I was at his back)

What can we wish you for the future?

To get paid for my artworks! ... or to become a rockstar. And win the lottery.


Thanks for answering my questions and see you soon on the website !!

Thank you!!

BatZar Studio (Italy)


BatZar Studio (Italy)

Italy again ?!? Yes Italy again and I guess like everytime it comes to soccer or, definitly, pizzas we now know that talking about rock posters, sooner or later, you will have to talk about Italy. It is maybe not so known for the moment but it seems that the scene here is huge. Jack Larana is the evidence that Italy is really dynamic and creative, I wanted to thank him for the time he took to answer our questions, and, more than all, whish him a fast recovery after his accident …


Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?

Rock 'n' roll. Rockabilly. Psychobilly. Garage. Doom. It depends very much on the project I'm working on.

But this does not mean music is always strictly related to what I'm doing. For instance most of the times I draw black-metal covers or posters I listen to Les Baxter.

Can you tell us more about yourself, who are you, where are you from, what do you do?

Hello everybody, my name is Jack Larana. In 2000, once finished my studies, I toured Italy working for companies and studios such as Fabrica, Sartoria Comunicazione, Kalimera, Bastard (an important Italian skate company) and many others.

I am a graphic designer and an artist, and since 2008 I work under the pseudonym Notawonderboy (http://www.notawonderboy.com/).

In 2010 I landed in Parma (in the North of Italy) where I decided to base the BatZar Studio (www.batzarstudio.com) in collaboration with Moonlight Studios (http://www.moonlightstudios.it/).

The latter is a really cool recording studio, booking agency, and record label based as well in Parma.

Mainly BatZar revolves around recording projects, artworks and posters. It also comprises a network of graphic designers, photographers, and filmmakers all working together always and exclusively on recording projects.




When did you start drawing?

Actually, I don't remember. Probably it should have been one of the most boring days of my childhood.

Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

None. I'm totally self-taught. I learned to draw, as far as I can do, during the long afternoons of boredom that filled my childhood.

And then over the years I never lost the habit of drawing, especially when I need to relax and detach myself from everything and everyone.

Today are you living from your art, or do you do something else for a living ?

It really depends on the year. Maybe one year you're lucky, and the next one you’re not and so you got to arrange yourself in some ways. But I have to say that with all the various things I do I find myself as economically independent.

Still, it is a difficult and winding road, especially here in Italy.

Are you collaborating with magazines/fanzines, regularly?

Rarely. I just worked as a photographer a few times, but never as an illustrator. I hope to have this possibility in the future because it could be a further source of inspiration.

Where does your influence come from? Is there any artists/graphists you particularly like, what are your influences?

Uh. It’s hard to say., but probably everything started with my father, who has triggered my love for the arts: photography, painting, and music.

All this led me to develop a personal taste, and I must say that hundreds of artists have influenced me and continue to do so. Just to name some of them: Jeremy Fish, Robert Williams, Ed Moses, Coop, Mike Giant, Luca Barcellona, Ed Hardy, Parra, Shepard Fairey.

But ultimately I must say that I'm particularly following the work of Josè Guadalupe Posada "Ilustrator de Guadernos Populares".

What are the principal steps in your work ?

Having ideas... ahahahha.. It’s always a critical step, and a suffering one! But when you have a good dialogue with the client, then it gets much simpler.

Sometimes you have also to be a fine psychologist. This part of the work excites me a lot, entering into the mind of who is in front of me trying to understand what he or she wants.

Do you do everything by hand or on computer?

In part by hand, and in part on computer.

How long does it take you to do a poster?

Maybe one hour, maybe a week. Just the time it is needed.

You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?

Projects requiring something lying far away from my usual style are those that stimulate me the most. This allows me to enrich my style, and widen my views. Moreover it constitutes the fuel that boosts my never-ending search for something new.

Then it would not be a problem.

For which band have you already worked for?

Well, in 2010 I worked for Avant-Gardener, Whiskey Ritual, The Secret Tape, Abaton, Morgan the bard (R.I.P.), Ocean Cloud, Dirty Blood, Binary System Wins, Caronte, Shinin Shade, Calendula, Noise of Creation.



For which band would you love to work?

Too many of them!

Just to name a couple of them: Brian Setzer, Queen of the Stone Ages, Eagles of death metal, Bjork, Dope Dod... Jack White!!! I love Third Man Records! Reverend Beat Man! The Black Keys!! Mad Sin! Too many people!

Do you choose the artists yourself?

Maybe one day! Ahhahahhahhah!

What is the most difficult part in designing a poster ?

No one. Designing posters is the best thing ever. Second only to sex, for sure.

Do you think you are part of a "Graphic Scene", if so who else ?

None. I feel so isolated. I'm a solitary man. :D

A bit of self-promotion, take advantage of it, it's free, where can we see your work , on the web or in real life?

Uh, thank you.

For sure you can see my work on the Italian Poster Rock Art website (http://www.italianposterrockart.com/autori/batzar-studio-10000023).

Then go to my personal website (http://www.notawonderboy.com/) or the BatZar Studio (http://www.batzarstudio.com/).

In the real world you can admire my posters in exhibitions of Italian Poster Rock Art or in some of the Italian most beautiful clubs!

The best praise you received lately?

Everyday somebody say I'm a good designer. I feel very lucky to be able to do this job.

What can we wish you for the future?

This year has been very hard for me because I had a serious motorcycle accident and now my main goal is to recover and get fully efficient, so to further develop my study and style.

Simple things. Do more, do it better and better everyday!

Uh, one last thing! Soon you will find a short film on the BatZar Studio website, stay tuned!!

Thanks for answering my questions and see you soon on the website !!

See you later alligator!

Clockwork Pictures (Italy)

Clockwork Pictures (Italy)

Clockwork Pictures is a small factory from Italy, led by the guy you can see on the picture and who will always remember me of Steve Jobs as Steve was his profile picture on facebook when I met him, and I spent a little bit of time wondering how he could look like. But enough speak, and a great thanx for the interview and the pretty interesting video embedded at the end which will explain you (almost) all you need to know on how silkscreening !



Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?

my playlist varies a lot, but probably you have a lot of chances to hear Bowie, NIN and The Cure because I have their full discography..

Can you tell us more about yourself, who are you, where are you from, what do you do?

I was born and Raised in Rome, Italy, and now I'm 39. I started working in visual arts almost without even noticing.. I was just doing something I love and bit by bit became a job. I mainly worked as a Freelance for magazines and publishers as graphic designer and illustrator, here and there writing tutorials and technical stuff for italian CG magazines. I had also some experience as a visual designer for TV motion graphics, but that was a minor part that survives just when I go to gigs and venues as a VJ. I promote myself as a visual designer: I use everything nI need to make my visions (or other people's visions) become visible. Photography also had a spin on me in the last 5-6 years but I cannot say it is really bringing any serious money!

When did you start drawing?

as a kid, for sure even if I cannot reconnect the exact moment I started.. I remember I loved Walt Disney comics I spent a lot of dime drawing Donad Duck.

Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

I am mainly self taught, pretty much born digital and only later moved to traditional techniques. My studies in architecture probably helped, but not that much, at least in term of technical skills.

Today are you living from your art, or do you do something else for a living ?

Actually I am 50 and 50, partially working in Training and partially as a visual artist. working hard to shift to that 100% ;-)

Are you collaborating with magazines/fanzines, regularly?

I shot regularly for a Goth /new Wave Italian music magazine called Ritual.

Where does your influence come from? Is there any artists/graphists you particularly like, what are your influences?

as I usually say: too many to mention all. Classical art, japanese manga and illustrators, Norman Rockwell and Giacomo Balla, Dave McKean just as Art Nouveau in general, dutch and german graphic design.. I have a bit of a mess of influences in my mind actually, wich I think reflects into the fact that the appeareance of what I produce changes a lot.

What are the principal steps in your work ?

struggle for a vision and a concept: usually if I can communicate well with my client this part comes more easily.

Do you do everything by hand or on computer?

really 50-50: often I bounce back between analog and digital many times until I get to the result I like. sometimes start with a digital prototype of the general composition, print it and then use it as a model for a hand drawing, or otherwise start with a sketch that I use a guideline for a photo composition.. even 3D sometims.. or putting objects on my flatbed scanner.. whatever works... generally I find that I work best if I not stay stick to a medium in particular.

How long does it take you to do a poster?

considering the printing process, I would say about 5-7 days.

You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?

the reason why I keep my other job is to have the privilege of being able of selecting my clients: I have worked for about 14 years, then looked back and realized that the most part of my portfolio had been drawn by the hands of my clients, not mine, and among these a lot of stuff was crap, horrible to show and keeping on on working that way would have led me nowhere. the more I push my clients to trust me and judge only after the work is done, the more I get satisfied customers.

For which band have you already worked for?

well, few italian ones, even if I've been into graphic design since 20 years now, I started printing only 5 months ago :D among these: Bohémien, NoFun, Avant-Garde..I am mainly into the goth and new wave indie rock.

For which band would you love to work?

anyone that appears in my "most played" playlist. but also I'd love to work for anyone who may have a brilliant vision in their heads and need someone to turn that into reality

Do you choose the artists yourself?

sometimes I promote myself, sometimes they come a me. there is almost no poster scene here in Italy, few bands rely effectively on this as a way to promote themselves: in this moment most of the times it's me running after them and making them aware of this possibility

What is the most difficult part in designing a poster ?

dealing with the customer :-D

Do you think you are part of a "Graphic Scene", if so who else ?

really don't know how to answer to this :-D

I knew you through IPRA's site, can you tell us more about the site ? WHat does such an exposure change for you ?

I'm quite new to IPRA, and I recently met their founders at Flatstock in Hamburg: since you met me from this site, I guess it is giving me more visibility! :-D

A bit of self-promotion, take advantage of it, it's free, where can we see your work , on the web or in real life?

on my website! there is also a "store" section, for those who may like to enjoy some prints ;-)

The best praise you received lately?

I was at flatstock europe 6: in the last day a girl bought one of my posters and after she had it rolled in her hands started jumping and caressing it just as if it was a child, saying "it's mine! it's mine!": I just could not believe to see a stranger so happy to have something done with my own hands.

What can we wish you for the future?

design more, draw more, print more. making beatiful things for a living is a privilege, I'd love to be able to keep it for life!
 






















Short video from Clockwork Pictures explaining briefly (but clearly) the process:


Daniele (Piri Piri Atelier) (Italy)

Daniele (Piri Piri Atelier) (Italy)

As he mentioned in the email he sent me “ my name is Daniele ( with E ). Despite of my name, as many not italians may think, Daniele is a male name. Daniela is the female one :) “. You can easily imagine how I was disapointed by such a news :) More seriously, Daniele is one of the artist I met so far where the influence of 1920s poster art is the most noticeable. But see by yourself…



Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?


Florence and the Machine plus Bach, in the other room plus my flatmate and his manouche swing group rehearsing in the kitchen.

Can you tell us more about yourself, who are you, where are you from, what do you do?

My name is Daniele Catalli, I was born in Rome, at 21 I moved to the cold north and now I live and drink wine in Turin.

I work as frelance illustrator/grapic designer/stage designer.

I also like to make up some weird poster art installations.

Recently I started my poster project called Dream Circus, which is something in between installation, public art and poster art.

(www.cargocollective.com/dreamcircus)

When did you start drawing?

As a kid.

Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

Both. After graduating at highschool, I ended up at the academy of fine arts, But I still think i did my best works as a teenager.

Today are you living from your art, or do you do something else for a living ?

well, most of the time graphic design pays the bills, but also illustration and scenography can work quite well.

Are you collaborating with magazines/fanzines, regularly?

Not really. I used to run a a comic/illustration magazine a few years ago myself. After it, It seemed very weird to me to sumbit my works to other magazines...

Anyway, I like to collaborate occasionally, but is not very common.

Where does your influence come from? Is there any artists/graphists you particularly like, what are your influences?

I love the streamline of Joost Zwarte and the peculiar style of Ferenc Pinter, David B., Magnus, Duilio Cambellotti, Tom Gauld and may many others.

Mainly I love 20's and 30's illustrators, but I also used to read a lot of japanese and french comics.

I also received some influence from amazing stage designers such as Rolf Borzik.

Thus, I guess my influence cames from a wide number of different styles.

What are the principal steps in your work ?

I first listen to the music. Then I listen again. And Again.

I also like to share with the musicians a few ideas in order to understand their taste and how they visualize their music.

I don't make many scketches. I try to offer a minimum number of choices.

Unless there is some idea the group wants to communicate, most of the time I start from the first image that comes to my mind listening to the music.

Do you do everything by hand or on computer?

both. I mainly do the drawing work by hand and the color job on computer.

How long does it take you to do a poster?

Really depends on the music and the ispiration. Could take a few hours or a few days.

Also depends how much time I can take.

You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?

I try to do what I feel. when the clients are very very into a disgusting idea, a big part of the job is to push my idea.

For which band have you already worked for?

So long I've worked for Scaramanouche, Gadjo Swing, Orchestra Cocò, To kill a petty bourgeoisie, Maurizio Pugno, Vinegar Socks, Augusto Creni, Karmablue...

For which band would you love to work?

wow, so many.

I could name Eels and Emiliana Torrini, among others

Do you choose the artists yourself?

Choose? I'm not such a poster star.

Most of the time it's a just a matter of luck. And maybe a few right emails. More often they call me cause they probably saw some artwork of mine somewhere.

What is the most difficult part in designing a poster ?

reject creepy ideas coming from the singer's cousin which " has a computer, likes art and won a painting prize when at primary school"

Do you think you are part of a "Graphic Scene", if so who else ?

Not really, and I'm proud of it.

I knew you through IPRA's site, can you tell us more about the site ? What does such an exposure change for you ?



I first found IPRA just hanging around the web.

It seemed to be a great idea to collect all the italian poster designers and I sent them a few works.

There's not much of a poster tradition in Italy, at least not anymore, not in the last 20 years.

Very often getting a good design for a perfomance is the last problem to be solved.

Even celebrities have horrible tour posters.

This happens because most of the time the print service is encharged of design too, with awful results.

Personally speaking, having some promotion on a specialized website it's always a good thing.

So, yes, well done IPRA!
 
A bit of self-promotion, take advantage of it, it's free, where can we see your work , on the web or in real life?

my website is http://www.piripiriatelier.com/

You can also find some of my posters on http://society6.com/danielecatalli

The best praise you received lately?

a big breasted drunk blonde whispering in my ear: "So, you made the poster for this party...I love it! I love art! I love your work!..."

What can we wish you for the future?

always meet nice clients and rich collectors

Thanks for answering my questions and see you soon on the website !!

have fun