Thomas Perrodin (CH)

Thomas Perrodin (CH)

"Designing a basic rock poster is not difficult because rock have stereotypes, skull – wings – guitar-etc…", on one hand this statment is 100% true and Thomas gave me the best reason for this blog to go on, as you may have already noticed if you sometimes read it, no, definitly no, rock poster art is not ONLY about skulls, wings, topless ladies and devils. The best evidence ? Just take a look at Thomas' work, this is definitly not Griffin-esque ;)

Hello, of course as every Crewk interview, first question: what are we listening to when we come to visit you?

Actually this Haus Arafna album (Rhapsody in New York), and Italian Tarantella.

Can you tell us more about yourself, who are you, where are you from, what do you do?

I 'been raised in Paris. I quit school early , then I worked in many unqualified job to see what it looks like (school kitchen, computer technician : cable disconnection... for corporate relocation, security, mobile phone seller for just 1 day, etc…).

After those two years of mind wandering (and doing a bit of graffiti) I started a preparatory class to learn the basics of graphic design and drawing, then moved to Angoulême to do a fine arts school where I met a lot of people who were doing comics (a universe I was not close to). I get my bachelor diploma in art/communication option, then moved to Geneva for a “new media postgrade” that was very deceptive (as I was interested by what new technologies socially engaged, and we were doing Vjing or moving dots on buildings… and for me it does not make an interesting sense), so I spent much of my time doing etching and silkscreen.

I still live and work in Geneva now.

When did you start drawing?

Like any child soon, more when I used to do a bit of graffiti when I was a teen, then it became really serious when I’ve been in fine arts.

Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

As I was unable to draw Sangoku in the margins of my schoolbooks (I drew Krilin), I learn it in a preparatory class when I was 21yo, academic style, as I remember, my first nude drawings looked like whales.

Today are you living from your art, or do you do something else for a living ?

I’m an assistant for the screenprint workshop in the fine arts school in Geneva, and extra money come from my art, mostly what I do for live show spaces or releases covers.

Are you collaborating with magazines/fanzines, regularly?

Fanzines mostly, micro self edited sceenprint books and collaboratives art books, I collaborated with 3 friends to create the core of the “Chiens Fous” (mad dogs), we do exhibitions-installations and books.

Where does your influence come from? Is there any artists/graphists you particularly like, what are your influences?

A little non limited fields disorder for my actual taste :

Kuniyoshi and Japanese print in general, Olafur Eliasson, Joe Daly, Daisuke Ichiba, Kels book, Fuel publishing, alchemic, mystical and obscure works, antic art works, many others people well known and many, many works of unknown people …

What are the principal steps in your work ?

It depends,

I used to work a lot with computer but know it’s more like a support for colors.

In screenprint, if I draw by hand (not with high pressure water or blockout with brush), I always make a drawing at the size of the print on transparent paper with markers or lithographic pen.

Then I make colors with the same stuff or autocut film.

But I love incidents so I often start with an experimental point of view, to find other ways to use screenprint, erasing stuffs, drawing with tools or products that are not basically made for it.

Do you do everything by hand or on computer?

Mostly by hand, even stuff which look like vector.

How long does it take you to do a poster?

It depends on the approach, It can take 4 to 10 hours (or more) including the print.

Generally, I just go to the workshop with an idea and do everything in one day, I sit, start to sketch (often very lightly) then draw or work directly, ideas comes during the elaboration process of the picture.

You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?

I dunno, it will be funny to do this kind of pictures because I love backdrops, but generally I have “carte blanche”.

For which band have you already worked for?

Mostly for the experimental music scene, but also for well known bands & complete unknown band, here’s a list :

Cut Hands - Aspect – 1400 points de suture – Acid Mother Temple– Aiuto – Anthea Caddy – Avarus– Badtrip Inc – Balata Eyes – Balazs Pandi–Belfi, Grubbs, Pilia Trio– BlankTapes – The Black Heart Procession– Bulb –James Chance – Chicaloyo – Chris Corsano – Chulki Hong– Envy– Error– Esmerine – The EX – Secret Chiefs 3 – The Melvins– Damo Suzuki - Keiji Haino – Makoto Kawabata– Le pré ou je suis mort–Mind over Mirrors– Rangda – Jean-François Pauvros– Phil Niblock – Gary War – Hype Williams –MoHa! – Wooden Wand– Zu – Redback – Tshetsha Boys – Praed – Imperial Tiger Orchestra – Ghédalia Tazartes – Rudy Decélière – Hasna El Becharia – Vincent de Roguin – Thierry Simonot – Plaistow –Orioxy – Raaga Trio – Kiko Esseiva – Murièle Begert – Jarse – Mik Quantus – dQtc – Conformists – High Wolf– Helena Gough – Pirx– Massimo Pupillo – Eric Cordier – Sunburned Hand of the Man - Hans Grüsel's Krankenkabinet - Liz Allbee – Projet 202 – Terminal Hz – Monno – Mir - Germanotta Youth – Zea – Loup – Marvin – Papaye – Master Musicians Of Bukkake – Uiutna –One man nation – Cancelled – Delmore FX – Hamayoko – Frank Stauffer – Ryu Hankil – Jin Sangtae - Choi Joonyong – Tujiko Noriko – Lawrence English – John Chantler – Damo Suzuki – D’incise – The Skull Defekts – Atsuhiro Hito – Valerio Tricoli – Jeff Carey – Nicolas Field– Thavius Beck – Bioviolence – Afrodizz – The Kilimanjaro Darkjazz Ensemble – Bleubird – The Somnanbulist – Lambig Butter Explosion – Free Moral Agents – Subtitle – Drumcorps – CardoPusher – Mr Connard – El g – TG – Network 23 – Le Crabe – Kro de la Bestiole – J Rocc – 2 mex – High Tone – OBF sound system – Caterva – Dub 4 – Kid Koala – Dj Lord – The Jungle Brothers – Lee Scratch Perry - Lusine– Foreign Beggars – Woody Madera – True Ingredients – Solar Skeletons – Ms 30 – Scappare di Casa– Massicot - Pneu – One fuck One – Pat V & the Pat Vs– H– Stemmms – Yinsh…

For which band would you love to work?

Boredoms, Aphex Twin, Merzbrow, Coil (but they’re dead), The Cramps (but Lux Interior is dead), Autechre, MF Doom, The Usaisamonster (but it’s over), Judas Priest (for the fun), Godspeed You Black Emperor, Hijokaïdan, Brian Eno, Boris, Sunn O, Otto Von Schirach, Venetian Snares, Arvo Part, Alva Noto, Haus Arafna, Maska Genetik, Chrome Hoof, Hawkwind, NHK, Primus, Ruins, The Psychic Paramount, John Zorn, John Cage, Bad Brains, Jello Biafra, Peter & the test tube babies, Dick Dale, Radikal Satan, Diamanda Gallas, Cannibal Ox (but I think it’s over now like Company Flow), classical ensemble for opera, etc…

Other bands are over for a long time I think…

Do you choose the artists yourself?

Sometimes yes…

What is the most difficult part in designing a poster?

From a point of view above technical level, designing a basic rock poster is not difficult because rock have stereotypes, skull – wings – guitar-etc… Funny to do but not so refreshing, difficulty(interest?) in those kind of posters comes when you want to disturb those stereotypes and shift them.

it’s very interesting, mostly for experimental/deviant/hybrid music that have no graphic codes or a very tiny amount.

How you can dive into the sound and extract pictures from it is what I found very interesting.

Do you think you are part of a "Graphic Scene", if so who else?

The fact that I’m answering to this interview is the answer : )

A bit of self-promotion, take advantage of it, it's free, where can we see your work , on the web or in real life?

My blog, where there is, I think, all of what I’ve made or make :

http://thomasperrodin.blogspot.com/

In real life, exhibitions just ended, one in Rennes (France), a solo exhibition of music posters, and an other in Geneva (Switzerland) with Chiens Fous, a really funny “end of the world” installation, called “No New Age Gondole Wave Banana Spleen”.

A solo exhibition is planned at the Poulpe, in Reigner (France) from january to february.

In November also, in Geneva, a four handed contribution for a Titans exhibition, huge size screenprint, during a convention that where are preparing at Usine Geneva. Check the blog : http://monstrefestival.blogspot.com/

In December (I don’t know when) in Labo Geneva, a wall painting in the gallery for the varnishing of a LP from wich I made the cover.

And for 2012 we will see…

The best praise you received lately?

A friend of a friend of mine, that I met at the end of the recent Melvins live show in Geneva, told me first that he liked the poster, then after 10 minutes of chit-chat told me he knew my work well and was a huge fan. I had to quickly find another topic of discussion as I was hugely embarrassed.

What can we wish you for the future?

Happiness, love and many projects before the end of the world.

Thanks for answering my questions and see you soon on the website !!

Philipp Thoni (Blackyard) (CH)

Philipp Thoni (Blackyard) (CH) (French Version - en cours)

Blackyard consists of four swiss graphic designers/illustrators, and, as it not that easy to interveiw 4 peoples together, Philipp has beeen kind enough to answer ou questions. If, by popular demand, you would like to read what the other 3 have to answer to some of the questions, just let me know and be sure the crew(koos) will do his best in order not to forget anybody. Grab your cheese and snowboard, welcome in Switzerland !!!

As usual on the blog, what are we listening to when we come to visit you?

That depends on what we're working on. When it's going well you might hear something like "Kid Congo Powers And The Pink Monkeybirds", sometimes we listen to an audio play. Sometimes Swing, Silvio likes to listen to Electronica when layout a brochure. I personally like Metal while cooking, something like "Baroness".

Can you tell us more about yourself, who are you, where are you from, what do you do?

BlackYard consists of four graphic designers/illustrators in our best age. We acquired our abilities through different professional careers. In 2009 we teamed up and settled our business location in the pictoresque part of the small neighbourhood “Matte” in downtown Bern. Our primary area of occupation is illustration and graphic design, executed with much care for detail. BlackYard likes to sketch, draw and ink by hand, before utilising machines to merge together all textures and layers preparing the artwork for the offset- and screenprinting process. Posters, illustrations, logos, cover artwork as well as original art and customized objects are our main concerns.

Introducing:

Silvio, Graphic Designer

After co-founding “Bewegungsmelder” – now a leading city and event guide – he entered the world of advertising business and its agencies, leading to a title as art director. Weariness and curiosity urged him to become self-employed.

Jared, Illustrator

His passion for comics drove him towards pen and ink at young age. After an apprenticeship as interior designer he successfully stepped into self-employment as an acclaimed illustrator.

Philipp, Illustrator & Graphic Designer

During the scholar apprenticeship as a graphic designer he suspected that self-employment might be the only way to unfold and persue one’s objectives. Through his work on numerous concert posters and record covers he gained reputation as “the sparkplugs” beyond Switzerland and was featured in various international publications.

Christian, Illustrator

After graduation in Illustration at Hochshule Luzern his thirst for knowledge impelled him to study History of arts and education before he joined Blackyard as the last member.


When did you start drawing?

As a kid, drawing papa's auto.


Did you follow any course or did you improve by drawing in the margins of your schoolbooks?

I think both would be correct answer. In school i left drawings of bandlogos on the desk for my buddy who had a class in the same room just after me. I carved letters in my school slippers. I found opposing the restrictions given by authority a great propulsion to creativity, in school and later when i studied graphic design.


Today are you living from your art, or do you do something else for a living ?


We proudly make a living of it, but we wouldn't show every piece of "art" we make in order to accomplish that goal.

Are you collaborating with magazines/fanzines, regularly?


We are loosely connected to some magazines, we would like to point out "amateur", a street art/illustration magazine here in switzerland.



Where does your influence come from, Is there any artists/graphists you particularly like ?

 People like Moebius, Geof Darrow, Brian "Pushead" Schroeder, Dirk Bonsma, Alfred Duerer. We also dig young cats like Vania, John Dyer Baizley.


What are the principal steps in your work ?


Sketch, Ink, Assemble, Send, Drink!

Do you do everything by hand or on computer?


Most basics are done by hand (Outline, shadings), then goes into the computer, where it gets colored, cropped, merged & mangled. Most typography is also done in the computer. we also like to do lino cuts or other low-fi printing techniques.

How long does it take you to do a poster?

A good one? 2-3 days.

You have a very distinctive style, are you doing only what you feel like or if tomorrow somebody asks you an oil painting with horses running out of water with a sunset backdrop, is it a problem or are you up for it ?


We try to keep working for people we like who dig our "thing" and let us do whatever we like. But everyday life isn't allways like that… you know kids?

For which band have you already worked for?

Mastodon, Gutbucket, Trencher

For which band would you love to work?

Any band who truly digs our work and wants us to mess around!

Do you choose the artists yourself?

No, not particullary. Maybe we should.

What is the most difficult part in designing a poster ?


Too much adoration can become an obstacle. Not overdoing the obvious & literal.

Do you think you are part of a "Graphic Scene", if so who else ?

Yeah i think we tap in to a certain type of fellow artists, illustrators & designers. The kind that doesn't really give damn about the "scene". There's a pool of really cool artists who come together for exhibitions, poster shows etc.

A bit of self-promotion, take advantage of it, it's free, where can we see your work, on the web or in real life?


Visit http://www.%20blackyard.ch/, we'll also participate at the 5th independant graphic and design convention at the Théâtre 2.21 in Lausanne (Switzerland)

The best praise you received lately?


Neurosis used our poster design for their tour badges. We dig that.

What can we wish you for the future?


Good health and clients with a good sense of art & humor.

Last question : Do you know anything about french rock posters scene ?

Not that much, i must confess. I know the work of "Tanxxx".

Can you tell us a little bit more about switzerland rock poster artists ?

We can run down a few names for you:

Michel Casarramona (http://www.casarramona.ch/),
Märt Infanger (http://www.ultrabazar.ch/),
Dirk Bonsma (www.magnolia.ch/dirkbonsma),
Robert Butler (www.pantichrist.com),
Markus Staehli (look him up on gigposters).

Thanx a lot for your answers !